Friday, October 6, 2023

UNDERSTANDING THE WORD OF GOD: The Weaponization of Hate

Controlling The Narrative

A deluge of books, news articles, and videos floods the marketplaces, the airways, and the internet daily, and each has a story. However, many of these stories are unsubstantiated rumors posted or published by news writers, influencers, satire writers, and those who have obtained numerous degrees whose intent Is to shape the public's mindset and amass followers. The overall purpose behind these chronicles is to control the narrative on a particle subject. Controlling the narrative is deciding what we should talk about and how we should talk about it. If the intent is to create an atmosphere of hate, the narrative must downplay the positive while amplifying the negative. Whether true or false, controlling the narrative creates euphoria for those thrust into the limelight by a collage of often irrelevant and insensitive words.

What is the narrative, and why is it important? It is an account of an event. It can be a spoken or written account of an event or related events, the narrated part or parts of a literary work, as distinct from dialogue, the practice or art of telling stories, or a representation of a particular situation or process in such a way as to reflect or conform to an overarching set of aims or values. Whether true or false, narratives play a crucial role in shaping how information is presented and perceived in news and other aspects of communication and storytelling.

Let's consider a not-so-typical news story. This news story supports the victim narrative.  “Black People Perceived as ‘Disabled’ Due to the Impact of Systemic Racism” – Radical Class Curriculum Ignited Debates About Racism.

A recent development at a major university has ignited debates about racism, as a class curriculum scheduled for the upcoming semester suggests that Black people can be perceived as “disabled” due to the impact of systemic racism.

The course in question gained credence because a noted professor who specializes in women, gender, and sexuality studies and has raised eyebrows for its incorporation of a well-known book has decided to teach the class.”

Now, let's consider a typical news story. “John Smith, a murderer who served fifteen years in prison, saved three children and their mother from drowning. Their mother had fallen asleep and crashed her car into Sonic River. While walking along the river edge,  John Smith, a homeless and unemployed laborer, saw the car crash into the water. According to John, Seeing the car crash into the water, without thinking of his safety, he sprung into action.”   

John Smith is the hero, but the storyteller tells us of a different person. The narrative gives us several unnecessary pieces of information.   John is a felon, homeless, and unemployed, yet he saves the life of four people. Based on the narrative without documentation, we can conclude John is of a minority culture; therefore, John is not in control of the narrative.

The art of controlling or shaping the narrative is a tool used to maintain power. Controlling the narrative can deprive others, especially races or cultures, of respect, social influence, and the ability to define reality.  Stories in the media shape our home and worldview, and we tend to let them do so uncritically. If the narrative is the most critical asset, who controls the narrative? Everybody is doing it — governments, businesses, and public figures. To hold power is synonymous with shaping and controlling the narrative as you see fit.

Controlling the narrative can be seen in large organizations with lots of power, such as governments, media, religious institutions, large corporations, and NGOs. The term NGO is used inconsistently and sometimes synonymously with civil society organization (CSO), any association founded by citizens. NGOs are nonprofit organizations in some countries, and political parties and trade unions are sometimes considered NGOs.

To control the narrative is to control how people think about you or a particular action or themselves. You don’t leave it up to them to form their own opinion. Instead, you interpret the facts for them. Regaining or retaining control of the narrative is one of the most essential tools in a narcissist’s toolbox. Controlling the narrative can be beneficial for the manipulator for many reasons. They can decide whether they are the hero deserving praise or the victim needing sympathy. 

Some cultures pride themselves on playing the role of the victim and go to great lengths to preserve the narrative. Maintaining the narrative of a victim can be a source of financial compensation. Any reference to slavery to be accepted must be in the negative. To say that enslaved people benefited from slavery is not acceptable because the accepted narrative does not support this conclusion. When discussing specific core issues, it is not a question of what is true or false; it is whether the narrative and the agenda support each other. This agreement is necessary to prevent any indication of disinformation. Disinformation is correct or incorrect information intended to mislead, especially propaganda issued by a government organization to a rival power or the media:

Gaslighting is a form of psychological abuse in which a person or group causes someone to question their sanity, memories, or perception of reality. People who experience gaslighting may feel confused, anxious, or unable to trust themselves. The term “gaslighting” comes from the name of a 1938 play and 1944 film, Gaslight, in which a husband manipulates his wife into thinking she has a mental illness. Gaslighting is a mind-manipulation tool and is particularly powerful in unequal relationships, especially regarding race, gender, and sexuality.

Controlling the narrative also means influencing or manipulating public opinion or perception by controlling the information presented.

The Weaponization of Hate

 Controlling The Narrative

A deluge of books, news articles, and videos floods the marketplaces, the airways, and the internet daily, and each has a story. However, many of these stories are unsubstantiated rumors posted or published by news writers, influencers, satire writers, and those who have obtained numerous degrees whose intent Is to shape the public's mindset and amass followers. The overall purpose behind these chronicles is to control the narrative on a particle subject. Controlling the narrative is deciding what we should talk about and how we should talk about it. If the intent is to create an atmosphere of hate, the narrative must downplay the positive while amplifying the negative. Whether true or false, controlling the narrative creates euphoria for those thrust into the limelight by a collage of often irrelevant and insensitive words.

What is the narrative, and why is it important? It is an account of an event. It can be a spoken or written account of an event or related events, the narrated part or parts of a literary work, as distinct from dialogue, the practice or art of telling stories, or a representation of a particular situation or process in such a way as to reflect or conform to an overarching set of aims or values. Whether true or false, narratives play a crucial role in shaping how information is presented and perceived in news and other aspects of communication and storytelling.

Let's consider a not-so-typical news story. This news story supports the victim narrative.  “Black People Perceived as ‘Disabled’ Due to the Impact of Systemic Racism” – Radical Class Curriculum Ignited Debates About Racism.

A recent development at a major university has ignited debates about racism, as a class curriculum scheduled for the upcoming semester suggests that Black people can be perceived as “disabled” due to the impact of systemic racism.

The course in question gained credence because a noted professor who specializes in women, gender, and sexuality studies and has raised eyebrows for its incorporation of a well-known book has decided to teach the class.”

Now, let's consider a typical news story. “John Smith, a murderer who served fifteen years in prison, saved three children and their mother from drowning. Their mother had fallen asleep and crashed her car into Sonic River. While walking along the river edge,  John Smith, a homeless and unemployed laborer, saw the car crash into the water. According to John, Seeing the car crash into the water, without thinking of his safety, he sprung into action.”   

John Smith is the hero, but the storyteller tells us of a different person. The narrative gives us several unnecessary pieces of information.   John is a felon, homeless, and unemployed, yet he saves the life of four people. Based on the narrative without documentation, we can conclude John is of a minority culture; therefore, John is not in control of the narrative.

The art of controlling or shaping the narrative is a tool used to maintain power. Controlling the narrative can deprive others, especially races or cultures, of respect, social influence, and the ability to define reality.  Stories in the media shape our home and worldview, and we tend to let them do so uncritically. If the narrative is the most critical asset, who controls the narrative? Everybody is doing it — governments, businesses, and public figures. To hold power is synonymous with shaping and controlling the narrative as you see fit.

Controlling the narrative can be seen in large organizations with lots of power, such as governments, media, religious institutions, large corporations, and NGOs. The term NGO is used inconsistently and sometimes synonymously with civil society organization (CSO), any association founded by citizens. NGOs are nonprofit organizations in some countries, and political parties and trade unions are sometimes considered NGOs.

To control the narrative is to control how people think about you or a particular action or themselves. You don’t leave it up to them to form their own opinion. Instead, you interpret the facts for them. Regaining or retaining control of the narrative is one of the most essential tools in a narcissist’s toolbox. Controlling the narrative can be beneficial for the manipulator for many reasons. They can decide whether they are the hero deserving praise or the victim needing sympathy. 

Some cultures pride themselves on playing the role of the victim and go to great lengths to preserve the narrative. Maintaining the narrative of a victim can be a source of financial compensation. Any reference to slavery to be accepted must be in the negative. To say that enslaved people benefited from slavery is not acceptable because the accepted narrative does not support this conclusion. When discussing specific core issues, it is not a question of what is true or false; it is whether the narrative and the agenda support each other. This agreement is necessary to prevent any indication of disinformation. Disinformation is correct or incorrect information intended to mislead, especially propaganda issued by a government organization to a rival power or the media:

Gaslighting is a form of psychological abuse in which a person or group causes someone to question their sanity, memories, or perception of reality. People who experience gaslighting may feel confused, anxious, or unable to trust themselves. The term “gaslighting” comes from the name of a 1938 play and 1944 film, Gaslight, in which a husband manipulates his wife into thinking she has a mental illness. Gaslighting is a mind-manipulation tool and is particularly powerful in unequal relationships, especially regarding race, gender, and sexuality.

Controlling the narrative also means influencing or manipulating public opinion or perception by controlling the information presented.